Biography
The Laidlaw sisters and their collections
Jean Ballantyne Shields (1908β1994)
She was a resort keeper and registered nurse who was influential in establishing the housing development at Indian Point.
Silhouette of Jean Shields, c. 1950 (mirrored). 14 x 18 cm. 2009.5.1b
In 1951, Jean married Charles Louis βCharlieβ Shields (1895β1968), a WWI veteran and McGill University graduate who owned Indian Point, an area near Coboconk. They had no children.
When development of Indian Point was completed, Jean rented the properties that she and her husband owned to her friends and acquaintances.
Marjorie Middleton Woodrow (1910-2006)
Silhouette of Peggy Woodrow, c. 1950. 14 x 18 cm. 2009.5.1a
Also known as βPeggyβ Woodrow, she was a skilled hostess and doctorβs assistant.
In 1944, Peggy married Dr. William Arthur βArtβ Woodrow (1906-1975), a doctor and surgeon.
Peggy assisted in Artβs medical practice, and in their leisure they enjoyed entertaining. They had no children.
After Artβs death, Peggy supported local heritage organizations and events. In the mid-1990s, she received an award for her volunteer work at the Victoria County Historical Society, the organization that eventually became this museum.
Various pieces from Jean and Peggy's collections. Shown in further detail and identified below.
The Laidlaw sisters spent their lives in Victoria County.
Jean and Peggy were born at the Fort Ranch in Kirkfield to James William Laidlaw (1862β1951) and Mary Anne Campbell Laidlaw (1871β1951). Their family later moved to 20 Russell Street East in Lindsay.
Peggy remained at 20 Russell Street into adulthood, while Jean moved to Coboconk.
View of 20 Russell Street East in winter. 8 x 13 cm. 2009.3.1a
Jean and Peggyβs collecting reflects their individual tastes, but also the influence of their family. Familial wealth and influence shaped the Laidlaw sistersβ lives and enabled their collecting.
George Laidlaw (1828β1889), Jean and Peggyβs grandfather, was a Scottish immigrant, railway promoter, and rancher who made his fortune in Canada. He bought a 5000-acre ranch in Bexley, where Jean and Peggy were born. Through George, the sisters likely had access to generational wealth.
George Edward βBillyβ Laidlaw (1860β1927), George Laidlawβs son and Jean and Peggyβs uncle, was an archaeologist and collector.
While he died when the sisters were teenagers, his collecting likely influenced them. Jean and Peggy donated their entire collections to museums, like their uncle had years before.
The Laidlaw sisters married well: Jean to a business and property owner, and Peggy to a local doctor.
Jean and Peggy led similar lives.
Both sisters married late, had no children, and outlived their husbands by a quarter century.
Both spent their lives in the Kawartha Lakes. They each bequeathed their collections to local museums, dividing them equally between the KLMA and another local museum.
We know more about the Laidlaw sistersβ collections than we do about the sisters themselves.
What we know about Jean and Peggyβs lives comes primarily from the objects they left us.
Guided by the pieces in their collections and what little biographical information we have, we can form some ideas about their lives and what brought them aesthetic pleasure.
Jean Shields (nee Laidlaw) collected patterned ceramics with floral motifs, East Asian-inspired designs, and cobalt blue or orange accents.
Peggy Woodrow (nee Laidlaw) collected red, yellow, and clear glassware in varied shapes and patterns.
Most of Jeanβs ceramics are decorated with transfer printing. These pieces are painted by hand with intricate, tiny details.
Vase with hand-painted Chinese scene (1 of 2). Possibly Lowestoft, England, 1757-1802, or China, 1700s-1800s. 13 cm tall. 1994.1.93
Jeanβs collection was larger and more eclectic than her sisterβs. It included ceramics, Currier and Ives lithographs, and patterned glass goblets.
Detail of 1994.1.58
Pewter coffee pot. Shaw & Fisher, Sheffield, England, circa 19th century. 24 cm tall. 1992.23.30
Cream pitcher with hand-painted man with animals and rattan-covered metal handle. Possibly Lowestoft, England, 1770-1802, or Japan, 1700s-1800s. 10 cm tall. 1994.1.95
She also collected pewter teapots, coffee pots, and plates, as well as monochrome ceramics.
Pewter teapot with rose/floral pattern. Manufacturer unknown, possibly England, circa 19th century. 19 cm tall. 1992.23.29
Peggyβs collection was smaller and more focused than her sisterβs.
Cauldron-shaped amber glass match holder. Burlington Glassworks, Hamilton, Ontario, 1880s. 2.5 cm tall. 1975.792.1
Her featured collection includes cranberry, ruby, and clear glass and a selection of eyeglasses.
She also collected amber glass, copper kettles, brass candlesticks, furniture, and medical items inherited from her husband.
Amber glass βOur Girlβ mug. Maker unknown, USA, 1880s. 8 cm tall. 1975.824.1
Copper coffee urn with Greek-inspired design. Manufacturer/country unknown, c. 1850s. 30 cm tall. 2006.322.15
Brass βThe King of Diamondsβ candlestick. James Clews and Sons, Birmingham, England, 1897-1939. 32 cm tall. 2006.322.11f
Unlike the rest of the Laidlaw sistersβ decorative pieces, these items depict identifiable figures from mythology and history
In a way, they represent Jean and Peggyβs individual tastes: Jean seems to have had a penchant for all things Victorian, while Peggyβs taste appears to have been more austere, almost architectural, with occasional classical influences.
Marble bust of the goddess Diana. Italy, c. 1850. Donated by Peggy Laidlaw. 41 cm tall. 2000.12.1
Detail of petite point of a young Queen Victoria. Date, maker, and country unknown. Donated by Jean Shields. 52 x 70 cm. 1994.8.4
Cranberry glass shot with girl balancing on rocks and hand raised in air, circa 1970s-1980s. 7 cm tall. 2006.322.18
Amber glass lidded compote with βDaisy with Cross Barβ pattern. Possibly from Burlington Glassworks, Hamilton, Ontario, circa 1880s. 26 cm tall. 1975.757.1