New Editor Joins the Lindsay Daily
Alan Capon’s tenure with the Post, spanning from 1963 to 1970, showcased his invaluable contributions to the newspaper industry. While he may not have been explicitly credited as the author of many articles within the paper’s issues, his role within its operations was significant.
Alan Capon in the editorial room with staff. ca. 1950s.
“Alan Capon, hands over the editorial reins to Robert Beeney.”
—The Minden Progress, Letter from the Publisher.
Original negative from editor Alan Capon’s personal collection from his career with the Post. ca. 1960s.
Alan Capon embarked in this position under the leadership of Roy Wilson, the newspaper’s last proprietor, whose trust in Capon’s skills and dedication was well-founded. After the Minden Progress sold to Al Grier in 1965, Alan was able to become more involved in the publication.
He also worked for the John Boyd Studio and a local radio station during this time.
The Minden Progress, Letter from the Publisher.
“Firstly, because of his duties on the editorial staff of the Lindsay Daily Post, the present editor, Alan Capon, hands over the editorial reins to Robert Beeney.”
—The Minden Progress, Letter from the Publisher.
Christmas dinner event featuring members of the Lindsay Daily Post. ca. 1964. Starting left to right; Back: unknown, Doreen Bruce, Bea McPhaden, unknown, John Davies, Roger Belwood, unknown. Middle: unknown, Carol Newton, Dawn Archer, Marilyn McCabe Coppins. Front: unknown, Ford Moynes, Alan Capon, Ethel Bishop.
Tower Ramparts article from the Lindsay Daily Post. Alan and another reporter would publish columns under this alias. February 4, 1969.
The Tower Ramparts
In the realm of newspaper editing, editors hold pivotal positions. They are the gatekeepers of the publication’s content, tasked with shaping the narrative, ensuring accuracy, and maintaining the highest standards of journalistic integrity.
Sometimes the role of editor in shaping a news story can become obscured as the final draft emerges, with the focus shifting from the collaborative effort to the polished narrative presented to the readers.
While Alan was working for the Lindsay Daily Post, he and another colleague covered the story of a family living in poverty within the town. It was both of the journalists’ hope that readers would react to this account by reaching out with community support. The two men captured images of the family and the conditions they were living in at the time to supplement their article.
Wishing to augment their income, the two journalists sold the story to a periodical that specialized in gossip under the name “Tower Ramparts”. However, this publication took a substantial amount of liberties when it was printed. The editor had taken the submitted photo which portrayed a baby in a crib, and added an image of a rat by the infant’s head.
Mayor John Eakins and William Scott. Original negative from editor Alan Capon’s personal collection from his career with the Post. ca. 1960s.
The changes had resulted in a sensational story among the public, much to the dismay of Alan and his fellow reporter. This situation would be further escalated when a few days later, Alan was covering a town council meeting in Lindsay. The mayor had read the article and expressed indignation at the way the town was depicted, promising to expose the identity of the person(s) responsible for the misrepresentation.
“[Alan] sank low in his seat and fervently prayed that Tower Ramparts would forever remain anonymous.”
—Margaret Haylock-Capon on the Tower Ramparts situation.
Capon’s responsibilities were multifaceted. He was instrumental in the editorial process, reviewing and refining articles, headlines, and layouts to meet the publication’s standards. His role required him to collaborate closely with other reporters, photographers, and layout arts, fostering a sense of unity and shared purpose in the bustling newsroom of the Post.
Original negative from editor Alan Capon’s personal collection during his career with the Post. ca. 1960s.
Original negative from editor Alan Capon’s personal collection during his career with the Post. 1967.
Lindsay Captured in Time
Alan Capon’s personality exuded determination and passion for his craft. He approached each story, no matter how seemingly insignificant, with enthusiasm and a keen sense of purpose. His ability to connect with people, to elicit candid insights and anecdotes, set him apart.
His legacy, including the donation of thousands of photographic negatives to the Kawartha Lakes Museum & Archives, stands as a testament to his exceptional contributions to both the newspaper industry and the vibrant town of Lindsay. Capon’s involvement in various community organizations mirrored his commitment to his role at the newspaper.
Various film cameras and memorabilia related to Alan Capon’s career with the Lindsay Daily Post. Courtesy of Susan Capon.
His work with various associations, businesses, figures, and events underscored his dedication to understanding and representing the fabric of Lindsay’s community life. This engagement allowed him to forge connections, gather news, and capture the essence of local stories in his camera lens.
